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Claimed sighting

The Brown Lady of Raynham Hall

When19 September 1936
Published1891 (Florence Marryat, There Is No Death)
WhereRaynham Hall, Norfolk, England
DoorSomething Seen
Our judgementObscurity 2 of 7

A ghost said to walk Raynham Hall in Norfolk, known from 19th-century sightings and from a 1936 Country Life photograph of a veiled figure on the stairs.

The Brown Lady of Raynham Hall
Nigel Jones, CC BY-SA 2.0, via Wikimedia Commons

The Brown Lady is traditionally identified as Lady Dorothy Walpole, who was mistress of the house in the 18th century, Country Life says. The Museum of Hoaxes says people went on reporting her for about a century.

The novelist Florence Marryat, in her 1891 book There Is No Death, retold her father's account. She said she had heard him describe watching a woman with a lamp come toward him down a corridor. He knew her as the figure in the portrait called the Brown Lady. His finger was on his revolver's trigger when, Marryat wrote, the figure stopped at his door, lit her face with the lamp and grinned at him with malice.

On 19 September 1936, Country Life reports, photographers working for the magazine at Raynham took a picture of a pale, veiled shape coming down the main staircase. Country Life calls it probably the best-known spirit photograph in history, and many take it to show the Brown Lady.

Others disagree. The Times reports that a Society for Psychical Research inquiry at the time blamed a fault in the equipment, and that psychologist Richard Wiseman thinks the image is a double exposure. Wikipedia cites Joe Nickell as finding signs of double exposure on close study, and quotes John Fairley and Simon Welfare on a pale line over every stair tread and a patch of light on the banister that "appears twice".

From the primary source
"I have heard him describe how he watched her approaching nearer and nearer, through the chink of the door, until, as she was close enough for him to distinguish the colors and style of her costume, he recognized the figure as the facsimile of the portrait of "The Brown Lady." He had his finger on the trigger of his revolver, and was about to demand it to stop and give the reason for its presence there, when the figure halted of its own accord before the door behind which he stood, and holding the lighted lamp she carried to her features, grinned in a malicious and diabolical manner at him."
Florence Marryat (1891), Project Gutenberg, There is No DeathRead the source →
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